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Here are all the paintings of VASARI, Giorgio 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 9437 |
 |
Allegory of the Immaculate Conception er |
1541
Oil on wood, 58 x 39 cm
Galleria degli Uffizi, Florence |
| 62306 |
 |
Monument to |
560 x 330 mm - By the mid 1660s Vald?s began to work as a decorative painter. The most spectacular of his decorative works was executed in 1671 for the celebration of the canonization of St Ferdinand of Castile (1199-1252). A monument, made of wood and decorated with paintings and sculpture, was designed and decorated by Vald?s. The structure was later dismantled, its appearance is preserved in a large print produced by Vald?s himself |
| 9439 |
 |
Monument to Michelangelo ar |
1570
Marble
Santa Croce, Florence |
| 9438 |
 |
Portrait of Lorenzo the Magnificent wr |
Oil on wood, 90 x 72 cm
Galleria degli Uffizi, Florence |
| 9441 |
 |
Self-portrait (detail) et |
Oil on canvas
Galleria degli Uffizi, Florence |
| 20315 |
 |
The Annunciation (mk05) |
Wood,85 x 65 1/4''(216 x 166 cm)From a church in Arezzo 1813;entered the Louvre in 1814 INV |
| 45415 |
 |
The festival meal in Ester |
mk186
around 1548
Arezzo Museo Statale di types Medievale e Moderna |
| 9440 |
 |
The Nativity wt |
c. 1546
Oil on canvas
Galleria Borghese, Rome |
| 9436 |
 |
The Prophet Elisha er |
c. 1566
Tempera on wood, 40 x 29 cm
Galleria degli Uffizi, Florence |
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| VASARI, Giorgio
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| Italian Mannerist Writer and Painter, 1511-1574
Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
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